Friday, 18 May 2018

Book Review - Wild Tales by Graham Nash

I finished Graham Nash's autobiography last night and I would certainly recommend it to anyone interested in the whole Crosby, Stills, Nash & Young circus. But I have to say it does end rather abruptly. He generally goes into quite a bit of detail on the various albums he released post-Hollies but there is no mention of the last two CSN albums or the double album he recorded with Crosby in 2004 or the last CSN&Y album 'Looking Forward'. It's as if he had a deadline to reach and ran out of time to complete the book.

I can understand why Crosby was unhappy with some of the content as Nash doesn't hold back in his descriptions of how bad a state Crosby was in during his freebasing coke years. There is one quite shocking incident where Croz, as he's known to his friends, had disappeared leaving Jan with one of his dealers who brought a couple of thugs to their house. They then stole whatever valuables they could find and beat Jan up. On the one hand it showed how bad a state Crosby was in - that he would abandon his partner like that - but I felt that we really didn't need Nash to go into the detail he did about what happened to the hapless Jan. 

I wouldn't be surprised if this is one of the reasons why the two of them have fallen out and are saying they will never work together again, though this is a feature of CSN&Y over the years. They are all such headstrong personalities that it only seems to be a matter of time before they will fall out with each other, be that in the studio or on tour. But this rift between Crosby and Nash does seem quite serious and it may well be that the four of them, or three of them or indeed the two of them never perform or record together again. But we have an impressive back catalogue of all the various permutations and plenty of solo albums to enjoy. Nash does admit that at times the material wasn't good enough, for example on the 'American Dream' album but Young had promised Crosby that he would return to the mothership, as CSN&Y is called, once David had done his time in prison.

One thing I struggled with while reading the book is that on the one hand Nash bangs on about all the benefit concerts he's done over the years for environmental causes etc, but then admits quite freely that he seems to have spent half his life in the air (his home at the time of writing being Hawaii). God only knows what his carbon footprint is like. And unlike contemporaries such as Harrison and McCartney, Nash doesn't seem at all interested in adopting a vegetarian diet. He says that when Crosby was released from prison, he took him for a meal and bought him the biggest steak he'd seen in years.  I'm reminded of the Neil Young song 'Hippie Dream' which includes the following lyrics (incidentally Nash was no stranger to cocaine himself but stopped taking it in 1984) - 

And the wooden ships
Are a hippie dream
Capsized in excess
If you know what I mean

Another flower child
Goes to seed
In an ether-filled
Room of meat-hooks
It's so ugly

He's quite a complex character is our Graham, perhaps not to the same extent as Neil Young, and certainly a workaholic but is driven by his love of music. He describes how all three members of Crosby, Stills and Nash remain extremely prolific songwriters. He's touring the UK in July and playing a hometown gig at the Lowry in Salford which I imagine will be quite a night. 

https://www.grahamnash.com/#tourdates

Wednesday, 9 May 2018

Wes Martin Benefit gig mix

This mix, which includes a special track by The Low Countries, ties in with the Benefit/Celebration Night at 8pm on Saturday 12th of May at the Yorkshire House for our friend Ukulele Boy aka Wes Martin. 

For more info see https://www.facebook.com/events/186479518646466/

Re my tribute to him at https://www.mixcloud.com/cmbertram/wes-benefit-night-mix/

First up is Kish McGuire's version of Angie, an instrumental track made famous by 60s guitarists like Davy Graham and Bert Jansch. Kish, who happens to be my stepson, was a regular performer at the Gregson Open Mic nights. He was still at school but dazzled us older musicians with his skills on the guitar.

Of Waxed and Waned Nigel Parrington says, "I've written a song for Wes. You can listen to it here and, if you like it, download for free (just enter £0 at the checkout). All I ask is a donation on the 12th or to a mental health charity - or simply talk to someone you think might appreciate it."
https://thelowcountries.bandcamp.com/track/waxed-waned

Wes was a massive fan of Bert Jansch who died in 2011 and when we did our review of that year on our Diversity FM show, Wes selected Bird Song by Bert. But I've chosen this re-working of I Cannot Keep From Crying which he included on his album "Edge of a Dream" and features Bernard Butler on slide guitar.

The intro music we used for our show, which was called Off The Beaten Tracks, was from the Kate Rusby song Elfin Knight. Wes seemed to have something of a fascination with Kate's hair as he always remarked on it whenever I played a track by her. The title of this song, Bitter Boy, has a double meaning as Wes did enjoy his beer.

I had the pleasure of seeing John Renbourn play in Lancaster at the Yorkshire House in 2007 and I'm sure Wes must have been there as he was a big fan of the other guitarist who, along with Bert, made his name playing in the legendary band Pentangle. Blues Run The Game is a Jackson C Frank song covered by both Bert and John and various other people over the years.

Continuing the beer thread I've chosen a version of the Richard Thompson song God Loves a Drunk which you may be unfamiliar with. This is from a RT boxed set and features Norma Waterson on vocals. And I'm guessing that's Danny Thompson on the double bass.

Wes used the name UkuleleBoy on Soundcloud for a while and one week we decided to have a uke theme on our radio show. The Ukulele Orchestra of GB's cover of Joni Mitchell's (He Played Real Good) For Free is followed by one of Wes' selections on that show, No Surprises from Amanda Palmer's album, "Performs the Popular Hits of Radiohead on Her Magical Ukulele".

These songs are followed by another cover, this being the Squeeze song Up The Junction given the "punk songs on acoustic instruments" treatment by Ade Edmondson and the Bad Shepherds and then we have a classic folk song by June Tabor about a pigeon fancier in Derby following his dreams with a bird he calls the King of Rome.

For some reason Wes found the name Notman amusing and when I played a song by Ruth on the show - can't remember if it was Si Tu Dois Partir - he pronounced it as Not Man and said that his name could be Wes Not Woman. Ok Wes, whatever you say.

Back to the beer with the jolly song Ale is Physic For Me by Mike Harding before we end with another instrumental piece, Still In Dreams by Ralph McTell from his album "Sofa Noodling".